
Continuing our recognition of the International Holocaust Remembrance Day on January 27 we are featuring Gesche Würfel’s What Remains of the Day – Memories of World War II. The project explores the aftermath of World War II and the Holocaust on contemporary life by grappling with time and memory through images of places and people. Born in Germany, Gesche has created a comprehensive look the past and present to “encourage the viewers to think about how the horrors of Fascism and World War II are still relevant today.” Her unique approach to the processing of her photographs, where she overexposes the images for one second for every year since the war ended in Europe on May 9, 1945, makes us consider history, memory, and what is left behind.
An exhibition of the work is now on display at the Pensacola Museum of Art (University of West Florida) running through March 17, 2019.
Gesche Würfel is a visual artist and Teaching Assistant Professor at the University of North Carolina at Chapel Hill. She received an MFA in Studio Art from the University of North Carolina at Chapel Hill (USA), an MA in Photography and Urban Cultures from Goldsmiths, University of London (UK), and a diploma in Spatial Planning from the Technical University Dortmund (Germany).
Her work has been exhibited, published, and awarded internationally; exhibition venues include the Center for Photography at Woodstock, NY (USA ), Contemporary Art Museum (CAM) Raleigh, NC (USA); Massachusetts Institute of Technology (MIT), MA, (USA); Tate Modern (UK); Goldsmiths, University of London (UK); Cornerhouse Manchester (UK); Kokerei Zollverein (Germany). She is currently exhibiting her work in a solo exhibition at the Pensacola Museum of Art, FL (USA).
Würfel is the author of Basement Sanctuaries (Schilt Publishing 2014). She is a recipient of grants from the Puffin Foundation, the University of North Carolina at Chapel Hill, the Lower Manhattan Cultural Council (LMCC) and others. Würfel was named as the Juror’s Pick for the LensCulture Emerging Talent Awards 2016, is a finalist in the 2017 and 2018 Lange-Taylor Award, and a Top 50 Critical Mass 2017 winner. Collecting institutions are the MIT Museum, MA (USA) and the Portland Museum of Art, OR (USA).

What Remains of the Day – Memories of World War II
“What Remains of the Day – Memories of World War II” explores the aftermath of World War II and the Holocaust on contemporary life by grappling with time and memory through images of places and people. I photograph places that evoke the horrors of the Nazi regime by overexposing the photos so that only traces of the resulting images are recorded. I overexpose the images for one second for every year since the war ended in Europe on May 9, 1945. For example, photos taken in 2016 (71 years after the end of World War II) were overexposed for 71 seconds. Much like memory, the photographs are fragmented and ambiguous, and some are in color, others in black and white.
The places I photograph include concentration, labor and death camps, the Reich Aviation Ministry, the House of the Wannsee Conference, and the D-Day Beaches in Normandy, France, or the Atlantic Wall fortifications in Brittany, France.

I explore people through portraits and interviews. I select people who experienced the war in diverse ways: including Holocaust survivors, Germans, and Allied veterans. These interviews present personal perspectives on the war and the Hitler regime. I have interviewed and taken portraits of 21 people. The portraits were taken in Germany, the UK, and the U.S.
I was born and raised in Germany, so I have a personal relationship to the aftermath of WWII and my family’s involvement in the war. I now live in the U.S., which enables me to view my home country through a different lens. My background as urban planner, visual sociologist, and photographer qualifies me to both interview and photograph people and places. With this project, I offer an approach to place, history, and personal trauma that is historical but still resonates in contemporary U.S. and European politics where anti-Semitic, anti-immigrant, and anti-Muslim sentiments have risen. The photos encourage the viewers to think about how the horrors of Fascism and World War II are still relevant today. What will happen to Europe as anti-immigrant right-wing parties become stronger? Is U.S. democracy weakening and heading towards authoritarianism? “What Remains of the Day – Memories of World War II” inspires critical thinking and engages its viewers by forming a bridge between the past and the present. – Gesche Würfel











