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Art + Science: The Exhibition

March 14, 2019 by Linda Alterwitz

33_AbbeyHepner_and_Mike Avery
©Abbey Hepner and Mike Avery

What exactly is Art + Science? Does the convergence of these two fields help the imaginative thinkers to create a new kind of art? Or does it help those who rely on objective knowledge to expand the field of science? It’s clear that science, especially with the aid of current technology, can provide artists with an abundance of imagery from which to work. Yet more important than producing aesthetic images derived from scientific data, science-inspired artists find connections that reflect a common purpose – one that integrates the authenticity of science and the communicative power of art.

The works chosen for A Smith’s Gallery’s exhibition entitled Art + Science all share unique approaches to photography that include experimentation and innovation. Whether driven by scientific data or creative process, each piece communicates a transformative experience that forges a sincere kinship between art and science.

In Abbey Hepner and Mike Avery’s series entitled Optogenetic Cybernetic Translations, they incorporated computer generated interpretations of data driven images to create a metaphor between cognition and phenomena.

By submerging film transparencies underwater for durations of up to two months, Tom Johnson allowed the film surface to disintegrate and transform into abstracted deconstructed imagery. His unique creative process investigates universal themes of turmoil and regeneration.

Elizabeth Stone burned excess photographic prints, extra test prints, contact sheets, printing mistakes and what she referred to as “dead ends.” What remained was a world of ashes framed within the old oil barrel they were burnt within, giving reference to cycles of destruction and creation.

In the series Terra Incognita, Marko Umicevic materialized nature by placing light sensitive paper directly onto the soil, beneath stones, and exposing it to darkness for 30 days. The photographs represent “the ungraspable and unknown life of the Earth, existing far from human sight.”

The interdisciplinary works shown in this exhibition use the convergence of art and science to exemplify transformative experiences. They represent an honest approach to image making, one that broadens our thinking beyond the norms of photography.

32_Abbey_Hepner_and_Mike Avery3
©Abbey Hepner and Mike Avery
31_Abbey_Hepner_and_Mike Avery1
©Abbey Hepner and Mike Avery
30_ToddJohnson1
©Todd Johnson
29_ToddJohnson
©Todd Johnson
28_MarkoUmicevic2
©Marko Umicevic
27_MarkoUmicevic
©Marko Umicevic
26_ElizabethStone
©Elizabeth Stone
25_ElizabethStone1
©Elizabeth Stone
24_StuartWilliams
©Stuart Williams
©Robert Dash
22_Laura Skinner
©Laura Skinner
21_MarcSirinsky
©Marc Sirinsky
20_DanielKariko
©Daniel Kariko
19_GerardoStübing
©Geraldo Stubing
18_HowardLewis
©Howard Lewis
17_LauraSkinner2
©Laura Skinner
16_LaurenOrchowski
©Lauren Orchowski
15_AlexFerrone
©Alex Ferrone
14_Aline Mare
©Aline Mare
13_HeinoHeimann
©HeinoHeimann
12_RonaldButler
©Ronald Butler
01-26-18-01
©M Apparition
10_JimBaab
©Jim Baab
09_NormBarker
©Norm Barker
08_NormBarker1
©Norm Barker
07_Christine Zuecher2
©Christine Zuecher
06_ChristineZuecher
©Christine Zuecher
05_ChristineZuecher1
©Christine Zuecher
04_DavidJanesko
©David Janesko
03_DianeBush
©Diane Bush
02_JohnHolmgren1
©John Holmgren
01_JohnHolmgren
©John Holmgren

Filed Under: Art and Science, Features, Gallery Exhibition Tagged With: Abbey Hepner, Alex Ferrone, Aline Mare, Christine Zuecher, Daniel Kariko, David Janesko, Diane Bush, Elizabeth Stone, Gerardo Stubing, Heino Heimann, Howard Lewis, Jim Baab, John Holmgren, Laura Skinner, Lauren Orchowski, M. Apparition, Marc Sirinsky, Marko Umicevic, Mike Avery, Norm Barker, Robert Dash, Ronald Butler, Stuart Williams, Todd Johnson

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